ishiguro an artist of the floating world

10.1353/ Artist of the Floating World is a novel by British-Japanese author Kazuo Ishiguro. “Writing with Care: Kazuo Ishiguro’s Never Let Me Go.” Contemporary Literature 52.1, 54–83. “Unimaginable Largeness: Kazuo Ishiguro, Translation, and the New World Literature.” NOVEL: A Forum on Fiction 40.3, 216–239. “ The Remains of the Day and its Challenges to Theories of Unreliable Narration.” The Journal of Narrative Technique 24.1, 18–42. Hannah Arendt Revisited: “Eichmann in Jerusalem” und die Folgen. “Das Gewissen, die Banalität des Bösen und der Gedanke eines repräsentativen Täters.” Garry Smith, ed. “Ishiguro’s Remains of the Day: The Empire Strikes Back.” Modern Language Studies 22.2, 45–56. Columbia, SC: University of South Carolina Press. “Cruelty is Bad: Banality and Proximity in Never Let Me Go.” NOVEL: A Forum on Fiction 40.3, 289–302. Narratives of Memory and Identity: The Novels of Kazuo Ishiguro.

Kazuo Ishiguro’s The Remains of the Day: A Reader’s Guide. Lewiston, NY et al.: The Edwin Mellen Press. The Developing Idea of the Authoritarian Personality: An Historical Review of the Scholarly Debate, 1950–2011. “The Political Theory of the Cliché: Hannah Arendt Reading Adolf Eichmann.” Cultural Critique 76, 74–97. Kazuo Ishiguro: Contemporary Critical Perspectives. “On First Reading Kazuo Ishiguro’s Never Let Me Go.” Sean Matthews and Sebastian Groes, eds. Nationalismus und Sexualität: Bürgerliche Moral und sexuelle Normen. London and New York, NY: Routledge, 23–37. “Reworking Myths: Stereotypes and Genre Conventions in Kazuo Ishiguro’s Work.” Cynthia F. Search in Google Scholarįricke, Stefanie (2015). “Liberalism, Individuality, and Identity.” Critical Inquiry 27.2, 305–332. “How the Butler Was Made to Do It: The Perverted Professionalism of The Remains of the Day.” The Yale Law Journal 105.1, 177–220. Search in Google ScholarĪtkinson, Rob (1995).

Adorno, Theodor W., Else Frenkel-Brunswik, Daniel J.

Ishiguro an artist of the floating world